BEETHOVEN: Violin Sonata in G, Op.96
ENESCU: Violin Sonata No.3, Op.25 (In Rumanian Style)
David Abel, violin, Julie Steinberg, piano
Wilson Audio W-8315 (LP). David Wilson, prod., eng. AAA.
Oh, what a breath of fresh air this is! An audiophile recording of real music that isn't bombastic, overblown, or high-powered.
Imagine, if you can, a private recital in your own home by two consummate artists who play these works for their own delight as much as for yours. Imagine sound so completely and disarmingly natural that after 30 seconds you're unaware it's reproduced. That's what this record is all about.
I could rhapsodize endlessly about this record, but I won't. Suffice it to say that if you think there's even a remote chance you'll like this music, you will be positively mesmerized by this recording of it . . .
One of the oldest names in US audio, Altec Lansing was building speakers for theaters and recording studios long before the introduction of the microgroove LP in 1948 (which date many see as marking the inception of high fidelity). Started in 1931 under the name All-Technical Services ~Corp., the firm later purchased another audio firm called Lansing Engineering, and merged the names. Altec's Model 604, one of the first true coaxial speakers, was adopted for home use by many early hi-fi buffs and, several permutations later, is still widely used for monitoring in disc-cutting rooms.
[Note - this article is from the May, 1963 issue of Stereophile]
Many readers have asked why we don't maintain a permanent listing in each issue of The Stereophile of those components that we feel to be the best available, with or without qualification.
So, we are following our readers' suggestion, and will list in each issue groups of components which, at publication time, we feel are ones from which our readers would be well advised to assemble their systems. The list will change from time to time, as new products appear, old ones are obsoleted, or manufacturers change their quality control standards. Components will be added to or dropped from the list without advance notice if we see adequate reason for doing so, but each change in the list will be explained in the magazine at the time the change is made.
We were saddened to hear of the passing, on December 10,of Audio Research founder William "Bill" Zane Johnson. Bill, who founded Audio Research in 1970 and became its Chairman Emeritus in 2008, is survived by his wife Nancy (left in photo) and family. We are preparing a tribute to Bill, to be published in the March 2012 issue of Stereophile, but meanwhile, we are reprinting here an interview Paul Messenger and I conducted with Bill that was originally published in the June 1983 issue of Hi-Fi News. (My thanks to HFN editor Paul Miller for permission. Stereophile's 1994 interview with Bill can be found here.)John Atkinson
Nineteen days after J. Gordon Holt died, my daughter and I drove west on NY Route 20, passing lawn sale after lawn sale on our way to the supermarket in Richfield Springs. Each sale promised a pleasant waste of time on that hot afternoon, but only one caught my eye: There, among the Avon bottles and the 8-track tape cartridges, were two large bookshelf loudspeakers, dressed in walnut veneer and light-colored fabric grilles. AR 3s, I thought. Or maybe Large Advents. "They'll still be there when we come back this way," I said, stupidly.
Now that Sony has bought CBS's records division, and the infamous Copycode bill seems to be dying in Congress, the way may be clearing at last for the US introduction of the new Digital Audio Tape system. This has sparked renewed speculation in the industry about the impact DAT will have on existing formats, particularly the fledgling CD. Some are convinced DAT will kill CD, because of its ability to record as well as play digital recordings. Others believe DAT won't even gain a foothold in the market, for the same reason quadraphonic sound laid an egg back in the '70s: The public can't handle more than one "standard" format. I feel that both views are wrong, and thatas is usually the case with extreme viewsthe truth lies in between. I believe DAT will catch on in the marketplace, but never in a big way, and certainly not the way CD has. Here's why.
Now that Stereophile's reporting on the 1985 Summer Consumer Electronics Show has ended (I hope!), I would like to express strong dissent with its style and content. In fact, I believe that most of it should never have appeared in print.
Stereophile is happy to start off another year, only one issue behind our published schedule. For most magazine subscribers, this would seem a confession of weakness; underground aficionados will, however, know what I'm talking about. We did in fact publish eight issues last year, but the first one happened to be Volume 6, Number 6 (the last issue in that volume), so that puts us still one behind. Ambitiously, I predict we'll get out nine (count them, 9) issues in 1985 and catch up with our schedule.
"Turntable Wars" was the phrase used by Anthony H. Cordesman to head his review of the Oracle, SOTA, and VPI turntables in Vol.9 No.4. To judge from the reaction of the manufacturers at CES to this innocent phraseology, you would have thought that Stereophile had been warmongering, rather than publishing what were actually pretty positive opinions of the products concerned. So enraged was Jacques Riendeau of Oracle, and concerned that the record be put straight, that he insisted on a "right to reply" to AHC's review; as it happened, Ivor Tiefenbrun and Charlie Brennan of Linn (right in photograph, footnote 1), and SOTA's Rodney Herman (center in photo, footnote 2), also wanted to contribute to the debate, so a small crowd of illuminati gathered in Room 417 of the Americana Congress to commit opinions to tape. I held the microphone and clicked the shutter; Larry Archibald (left in photo) was there to lend the proceedings a businesslike air.
Stereophile: You are president of Esoteric Audio Research, a British manufacturer of tube amplifiers, and a world-renowned designer of tube equipment and output transformers. I thought we'd begin with a little background. Where were you born? What kind of education did you get to prepare you for a career in audio?
Editor's Note: John Crabbe was Editor of Hi-Fi News & Record Review when I joined that magazine as a lowly editorial assistant in September 1976. At the end of 2007, I had asked Steve Harris to interview John for Stereophile, as part of an ongoing project to create an oral history of high-end audio (footnote 1). Sadly, John passed away in December 2008see "As We See It" and "Industry Update," in our March issue. We are publishing Steve's interview as a tribute to a man from whom I learned my craft as an audio magazine editor.John Atkinson